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Beauty's Edge: The Way of the Surfer
by Drew Kampion
Howdy,
Just to let you know I have a new book, Beauty's Edge: The
Way of the
Surfer, to be published soon by Harry N. Abrams of New
York. A
photo-heavy volume, the book includes profiles of 11
notable surfers:
Woody Brown, John Severson, Dick Brewer, Nat Young, Rolf
Aurness,
Bill Hamilton, Gerry Lopez, Tom Curren, Lisa Andersen,
Kelly Slater,
and Titus Kinimaka. I'll let you know when it will be
available.
Meanwhile, here's the intro for your snacking pleasure.
Stay stoked & keep walkin' on water!
Drew
* * * * *
Introduction
Surfing is the simple act of walking on water. There are
lots of
other ways to ride ocean waves (bodysurfing, for example),
but when
we say "surfing" we really mean walking on water, or at
least
standing on it. This is what makes surfing unique - when
we surf, we
walk on water.
But this "simple" act is so complex, it's hard to believe
it's
possible at all. Consider the progression of forces that
birth ocean
waves - the action of solar radiation on the upper
atmosphere, the
migration of that energy toward the surface, how it joins
with the
planet's rotational and counter-rotational currents to
create
jet-stream flows and finally surface winds. Consider the
movement of
wind over water, the steady friction of air on the liquid
surface,
ruffling it into ripples, nudging up chop, pushing up
seas, and
finally organizing turbulent fields of wind-tossed seas
into
well-formed bands of open-ocean swell.
Propelled by gravity, trains of swell race away from the
winds that
spawned them, moving across the ocean deeps until they
feel the drag
of the shallows near land. As the swells shoal, they rise
up out of
themselves, peaking and curling into the liquid dreams
that surfers
ride. And if the generation of waves is complex, consider
the
intricate physics of the controlled fall of riding the
surf. It
would take more than a few chalkboards to plot the
calculations.
Reducing all this to simple phrases, one could say that
surfing is
nearly incomprehensible, almost miraculous, exquisitely
sensual,
perhaps unique to this one blue planet.
Surfing is often described as an ancient Hawaiian sport;
it was, and
it still is. The "experts" reckon it all started somewhere
in
Polynesia about the year 1000, but no one really knows.
The cultures
of Pacific islands were expressed in stone and bone, not
iron and
parchment, and little has been preserved from that era.
Nonetheless,
somewhere around the time of the Vikings does make sense,
since there
is often a resonance in human affairs expressed in a
synchronicity of
events. It was during the 8th, 9th, and 10th centuries
that these
Scandinavian warriors were raiding Europe with fierce
abandon. They
are still regarded as the best sailors of their age by
historians who
fail to take into account the contemporaneous exploits of
the
Polynesians.
Those natives of the South Pacific built large voyaging
canoes out of
forest hardwood and stabilized the big hulls with
outriggers. These
vessels could sail closer to weather than any European
monohull, and
(like the Vikings' longships) when the winds were light or
straight
on the nose, they could be paddled. Powered by sails of
woven
pandanus leaves and the athletes who manned her, the
voyaging canoe
was a notable achievement in maritime architecture. Guided
by
peerless navigators, ancient Polynesians were accustomed
to long
journeys at sea, either as part of their traditional,
precisely-timed
trading routes or as adventurous explorations. Out on the
immense
blue desert of the Pacific they discovered Rapa Nui
(Easter Island),
the Hawaiian chain, and hundreds of other remote islands
The Polynesians were true voyagers. They knew the sea like
the
native Sioux knew the North American prairies. They could
"see"
islands hundreds of miles away in the refractory patterns
on the
liquid plain they rode. They were masters of celestial
navigation.
They routinely made crossings of over a thousand miles and
hit their
target islands dead-on. They were very tuned into the
environment,
and their far-flung trade circles operated on a seasonal
calendar
with a punctuality that presaged the celebrated German
rail system.
How exactly they discovered surfing will never be known
for sure, but
you can conjecture. Any sailor, paddler, or rower knows
the dynamics
of the ocean surface - the cycles of energy, the patterns
of the sea,
how everything comes in waves - the seasons, the storms,
the tides,
the surf. Out on the ocean, paddling with the swells, you
can feel
the presence of the next wave coming up behind you, how it
draws you
back on its approach, and then it lifts you - quite a bit
if the
swell is large - lifts you, and then you surge ahead as
the face of
it passes under you. And sometimes ... if you're moving
fast enough
and the wave is steep enough, sometimes you start chasing
down its
forward slope, the hull slapping rudely on the chop as you
lift your
paddle over your head and let the wave take you for a
ride.
Perhaps surfing started something like that, catching a
free ride on
the way back in from fishing, resting the paddle and
enjoying the
glide. The logical next step was to play the sport - to
stand up and
show off. However it all began, when the great
18th-century European
explorers (notably Captain James Cook and his fleet) came
upon
Polynesia and first saw people riding waves, they were
confused.
Early renderings reveal their misapprehensions - naked
maidens
balancing gracefully on small planks atop aquatic billows
- positions
that defy now-understood hydrodynamic principles.
The arrival of British sailors and Christian missionaries,
to a large
degree unintended, unleashed a double-edged Hawaiian
genocide, a
little Pacific holocaust of disease and cultural
disruption. The
survivors worked in the new plantation economy, and
surfing fell by
the wayside. Mostly.
In 1874, savvy traveler Isabella L. Bird, spent a day at a
remote
beach and observed more accurately that, "The great art
seems to be
to mount the roller precisely at the right time, and to
keep exactly
on its curl just before it breaks. ... always apparently
coming down
hill with a slanting motion ... always just ahead of the
breaker,
carried shorewards by its mighty impulse at the rate of
forty miles
an hour ... the more daring riders knelt and even stood on
their
surf-boards, waving their arms and uttering exultant cries
... always
apparently on the verge of engulfment by the fierce
breaker whose
towering white crest was ever above and just behind them."
[Isabella
L. Bird, The Hawaiian Archipelago: Six Months Amongst the
Palm
Groves, Coral Reefs, and Volcanos of the Sandwich Islands,
John
Murray: London, 1876.]
That was the afterglow of Polynesian surfing, a moment
discovered in
a rare, persisting enclave of the past. Nobody really
knows exactly
what surfing was like in its full glory. It is clear that
at the
time of European contact in 1778 (forgetting for a moment
any
shipwrecked Spaniards who may or may not have washed
ashore on Niihau
200 years earlier), surfing was a highly-regarded and
integral part
of Hawaiian culture. Kings and queens did it. Princes and
princesses did it. Kahunas and warriors did it. And so did
most
everyone else.
They surfed the waves on a variety of vehicles. They rode
short,
wide, thin paipo boards on their bellies; they rode the
longer and
thicker alai'a boards prone, kneeling, or erect, but the
royal
18-foot-long, cigar-shaped olo was only ridden by very
important
people at exclusive surf spots.
One of these special areas was far off the beach at
Waikiki, out by
Diamond Head, a spot the old Hawaiians called Kalahuewehe.
Many a
great surfing contest was held there during the annual
convergence of
the Hawaiian peoples on this island they called "the
gathering
place." And what the Polynesians liked about the place,
the haoles
(white foreigners) did too.
Following the hostile overthrow of Queen Liliuokalani by
resident
American annexationists, the Territory of Hawaii was
created in 1898
with missionary son Sanford B. Dole installed as governor.
The
Spanish-American War immediately swept the obscure Pacific
island
chain into national consciousness. When someone grasped
the
strategic significance of Pearl Harbor to the nation's
security, the
game was over. Honolulu was the state capital, Waikiki was
the
beach, and the good old days began.
"Half a mile out, where is the reef, the whiteheaded
combers thrust
suddenly skyward out of the placid turquoise-blue and come
rolling
into shore. One after another they come, a mile long, with
smoking
crests, the white battalions of the infinite army of the
sea. ... And
suddenly, out there where a big smoker lifts skyward,
rising like a
sea-god from out of the welter of spume and churning
white, on the
giddy, toppling, overhanging and downfalling, precarious
crest
appears the dark head of a man. Swiftly he rises through
the rushing
white. His black shoulders, his chest, his loins, his
limbs - all is
abruptly projected on one's vision. Where but the moment
before was
only the wide desolation and invincible roar, is now a
man, erect,
full-statured, not struggling frantically in that wild
movement, not
buried and crushed and buffeted by those mighty monsters,
but
standing above them all, calm and superb, poised on the
giddy summit,
his feet buried in the churning foam, the salt smoke
rising to his
knees, and all the rest of him in the free air and
flashing sunlight,
and he is flying through the air, flying forward, flying
fast as the
surge on which he stands. He is a Mercury - a brown
Mercury. ... He
is a Kanaka - and more, he is a man, a member of the
kingly species
that has mastered matter and the brutes and lorded it over
creation."
[Jack London, "A Royal Sport: Surfing at Waikiki" from The
Cruise of
the Stark]
When "walking on water" caught the eye of adventure author
Jack
London in 1907, most of the native population was dead and
gone, and
the island paradise had been reshaped by missionaries and
plantation
economics. There were only a handful of Hawaiian surfers
left, and
most congregated on the beach at Waikiki, where the kanuks
could make
a living introducing the arcane practice to haole
tourists, whose
interest in the sport had been sparked by the writings of
London,
Mark Twain, and others. A select group of experts worked
as "beach
boys," taking visitors on tandem rides and giving surfing
lessons.
Between customers they hung out on the sand, played the
ukulele,
sang, talked story, made love to haole women, surfed,
paddled canoe,
and generally had a pretty good lifestyle. They were the
grandfathers of modern surfing.
This core group of Waikiki surfers seeded the 20th-century
renaissance of "the sport of Hawaiian kings." With their
knowledge
of the ocean, their fearless play in the powerful waves,
and most of
all their confident, self-sufficient style, they inspired
those who
came to Waikiki. And a few notable beach boys traveled to
other
parts of the world, taking surfing with them, and seeding
its growth
elsewhere. Through this small band of beach boys, surfing
passed
forward into our modern era, where it has assumed an
increasingly
important place in our global culture.
Vilified as a beatnik tribe of beach bums in the late
1950s and early
'60s, the postmodern view of surfers has shifted, informed
by the
complexification of the sport itself in recent decades.
Bold new
gymnastic approaches to wave-riding have combined with the
proliferation of lifestyle-related "board sports" to
capture
increasing media attention (surfing has gone mainstream).
At the
same time, technology, in the guise of personal watercraft
(Jet Skis
or PWCs), have opened access to the "unridden realm" -
giant waves
that generally break farther out to sea and cannot be
approached
without "jet-assisted take-off" methodologies, by which
the surfer is
towed into a wave that he couldn't physically paddle into.
The sight
of diminutive surfers dwarfed by 60-foot walls of raging
water has
been compelling enough to put surfing, at last, on par
with the other
so-called "extreme" sports that occupy so much of our
precious
attention in this current neo-Roman epoch.
But beneath this highly visible world of danger, disaster,
and
fleeting glory, there lives and breathes the "rank and
file" surf
culture - a million or more so-called hardcore devotees,
each with a
personal relationship with the ocean and its waves. To
represent
surfing as the achievements of only its greatest
practitioners on the
most epic of waves is a kind of misleading shorthand - a
symbolic
gesture in the direction of the infinite truths residing
deep in the
oceanic reservoirs of our combined surfing experiences. It
sounds
pretentious, but it's not meant to be. It's just simple
math.
The history of surfing is the sum total of all the waves
ever ridden,
of all the journeys and adventures and lessons learned by
all those
who have ever paddled out to ride a wave. An impossible
story to
tell, of course, even as reflected in the lives of a few
tribal
archetypes, individuals who embody the essence of the
endeavor, whose
lives along the surfer's path are tantamount to walking on
water.
[click to Drew's
HomePage]
© Drew Kampion, 2003
--
* * *
Life is a wave. Your attitude is your surfboard.
http://www.drewkampion.com
B+
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